Sell Your Art: The Business of Photography

So You Want to Sell Your Art?

Do family and friends tell you that your photography is amazing and that you should sell your photos? Are you wanting to give it a try but not too sure how to get started?

Maybe it’s time to start selling your art. But how?

There are countless ways to “be a photographer.”

There’s commercial and artistic and documentary and travel and wedding photography. Within each of these pursuits, there are endless opportunities to sell photos. Think about magazines, books, calendars, greeting cards, private collections, museums, stock photo agencies, art galleries, advertising agencies, art fairs, and more.

There’s never been a better time to show your work to a wide audience, and there are specific ways that you can maximize the opportunity for others to see your work.

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Alapocas Run, Wilmington, Delaware by Susan E. Hendrich

 

Opportunities for free exposure are boundless with the advent of social media. But, the market is saturated with photographers who want to sell their work for that same reason. The fine art market has always been tough to break into. It’s harder than ever to make money at it, as art is a luxury and not an easy sale in a tough economy. But, if you’re good, there is probably a market for you at the local level. Here are things to consider to test your market and see if your work will sell:

1. Create a few professional marketing tools.

A. Your Bio

To start, you should create a short biography telling who you are and what you’ve done. You’ll need an up-to-date resume. An artist’s statement is imperative in order to connect the viewer to the work – your pictures don’t always speak for themselves.

B. Your Portfolio

Build a portfolio of your work both online and offline. This portfolio should be curated carefully. Don’t pour a lifetime’s worth of photographs in front of someone. Instead, take your viewer on a journey. Think through the experience of your viewer from their perspective. Your photographic story should make sense. Leave them wanting more, not less.

Online Artwork

Start by posting (only) your best work online in a gallery with an online shopping option.

  • Fine Art America is free
  • Smugmug is reasonably priced and more professional looking
  • Etsy has a nice photography section and touts itself as being the place where you can shop for “anything from creative people everywhere”
  • Many other options exist – ask your friends where they find and buy their art

Printed Artwork

  • Print a few of your very best images in a large format, then matte and frame them.
  • You can also order good quality canvas prints so you don’t have to worry about framing.

C. Your Calling Card

Design and print some business cards with your contact info, gallery and/or website links, etc. If you want to include a logo mark, go for it. This simple act and small investment can do wonders for your sense of being an established photographer with real art to sell.

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Market Street Reflections, Wilmington, Delaware by Susan E. Hendrich

2. Start Selling.

Now that you have created your online presence and a printed small inventory, it’s time to out there and sell.

  • Go local. Unless you have amazing images from your last trip to India that would be a great fit in your local Indian restaurant, think locally. People like to buy images of places they know. This is especially true if you photograph those familiar places with a unique vision that make them even more interesting. They also make great gift items for visiting guests.
  • Visit your neighborhood coffee shops and restaurants and ask if they would display your work for a few weeks (keep it under a month, no one will notice it after two or three weeks anyway). Most coffee shops welcome the free wall decoration and will not ask for a commission. If they do, figure it out in your price. You can also offer them a print of their choice to keep as a thank you. Make sure you leave plenty of business cards near your work so people can contact you if they are not ready to buy on the spot.
  • Ask at local businesses with blank walls if they might be interested in displaying your artwork. Think about the places you go…your doctor’s office, dentist, community library, and even your local grocery store. Ask for the office manager and present a few of your images of local scenes to see if they might be interested in showing your photography.

 

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Wilmington Flower Market, Wilmington, Delaware by Susan E. Hendrich

Shoot in your own community to create images that will sell in your hometown. These Delaware photos, shot last year, are more likely to sell here in Delaware than my images of Amsterdam. Why? They appeal to a larger audience locally.

3. Share the love.

A. Donate

Donate a framed print to a silent auction to benefit a good cause. You will help them with your contribution, get some exposure and feel really good about yourself for your donation.

B. Host a Show

Host your own show at your house or local spot! Team up with two or three other artists (jewelry artists, painters, etc.) for a fun evening. Share the cost of the beverages and snacks, combine your contact lists and have your own art show. Make sure to have a lot of ‘cash and carry’ items to sell, display some of your large prints as well. Those shows are great because the competition is minimal and people are here to shop and have a good time. Your guests will enjoy visiting with the artists and meet new friends. You can potentially make hundreds of dollars in a short period of time while having fun!

C. Join a Fair

Considering selling your photos at art fairs? Think carefully. These are often expensive to join and photography is not usually a best seller. If you go for it, make sure you have plenty of inexpensive items such as greeting cards, small matted prints, etc.  Be prepared for a long day or weekend sitting around and not selling much (when you could be out there taking more pictures).

D. Pick a Card

Greeting cards sell! As paper becomes more and more a thing of the past, a beautiful greeting card becomes even more special. Create cards for different occasions. You can go on ‘greeting card photo walks’ where you capture specific subjects for different occasions (balloons for birthdays, flowers for Mother’s Day, lighted trees for Christmas, or even find heart shapes in nature for love and Valentine’s Day cards).

 

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Flags for Homeless Veterans, Wilmington, Delaware by Susan E. Hendrich

 

4. Keep Learning and Growing.

You will have unique challenges to face with your art, which will be influenced by your potential market, your own personal challenges, and your audience. If you’ve been making photographs as a hobby and want to begin selling, check out a good book or website or blog to see how others have made the journey. Here are a few to consider:

  • Selling Fine Art Photography: How To Market Your Fine Art Photography Online To Create A Consistent Flow Of Excited Art Buyers Who Love What You Do, by Nigel Merrick
  • Sell & Re-Sell Your Photos: Learn How to Sell Your Photographs Worldwide 6th Edition, by Rohn Engh and‎ Mikael Karlsson
  • Marketing Fine Art Photography 1st Edition, by Alain Briot Central

After making the decision to sell your photography—full-time or part-time or just once a year with a holiday calendar—be a professional photographer. Carry your business cards. Update your website. Seize the right opportunities when they present themselves. And for goodness sake, carry your camera with you. Only share work that you are truly proud of. Organize your materials and be ready to share them at a moment’s notice. Opportunity windows can be tiny.

Speak with confidence about your work. Know what you stand for and what makes your work different.

Join a creative community. Fellow artists can be your best resource and your most knowledgeable support, and most will share what works for them. Connect.

NeverTooLate

5. Repeat this line: “I can do this.”

Being a photographer is not a simple journey. When choosing this path, many do so because they have something to say, it’s a mode of expression. But fear often drives a photographer to steer their work toward the market and away from their heart. A form of success may come from this veering, but you may fulfill your need to grow and evolve as an artist. It is important to continuously pay attention to your authentic self.

What do you want your work to say? Decide what you want to capture. What do you hope to explore? Even when shooting commercial photography, you must still have your own voice. This authentically-you perspective separate you from the pack. And don’t worry if you stray for a while, if you discipline yourself to keep asking, “Where do I really want to go with this?” Your inner guide will help you get there.

Start small on a local scale and keep your initial expectations modest. You may not make a million, but there is something special about making a few sales of your art. You’ll find your niche and soon you’ll be sharing your own tips on a blog like this.
Now, say it with me…”I can do this.” Say it again.
Onward!
Special thanks to Delaware Photographic Society President, Fred Cullis for inspiring this post. Credit also goes to Canon Explorer of Light Michele Celentano, for her amazing Portrait Photography workshop.

 

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Lounge Reflections, Philadelphia, Pennsylvania by Susan E. Hendrich

 

Quiet contributions

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Homeless Veterans Flags – Wilmington, Delaware

Driving along Route 202 on Concord Pike in Wilmington, Delaware in November 2016, I noticed a lone man standing in a normally-empty field, surrounded by dozens of American flags. It was a windy day. I rolled down my window as I inched along, which allowed me to hear the flags all flapping and whacking in the strong Fall wind. The scene reminded me of a group of young soldiers gathered proudly in line to serve their country. The sound of the waving flags seemed to mimic the click-clack of boots smacking together as soliders bring their feet to attention at the command of an officer.

I pulled into a nearby parking lot walked toward the field with my Canon 80D, approaching the lone man, who was busy adjusting a large spotlight onto the vast field of flags, all while the sun was hurriedly setting in the cool autumn sky. Hi, I’m Jim McBride,” the man said, and I immediately recognized him as the co-owner of our area’s premiere heating company. Jim explained that he was helping to prepare for a Flag Dedication Ceremony – in support of the Delaware Center for Homeless Veterans and Suiting Warriors.

“We make a living by what we get. We make a life by what we give.” -Winston Churchill

It was a lovely moment, witnessing a busy, successful local businessperson taking personal time to create such a beautiful tribute of patriotism, respect, art and community support. Jim’s quiet contribution amplified loudly in my heart.

Simple ways to amplify your leadership impact

The Fortune profile on Brian Chesky, CEO of Airbnb, provides some valuable insights on how to maximize your leadership impact. Brian devised his own simple leadership rules:

The final rule – refilling the reservoir – resonated with me. How do you refill your reservoir? Please mention them in comments below!

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Brian Chesky is an American Internet entrepreneur who co-founded the hospitality exchange service Airbnb. Chesky is the CEO of the company and was named one of Time’s “100 Most Influential People of 2015

The Spaces Between: Taking time for your personal development

What if you spent 30 minutes on your personal development every day? Reading. Blogging. Journaling. Drawing. Imagining. Networking. Planning your future. A half hour. Every. Single. Day.

A friend recently told me that in a “How to Improve Your LinkedIn Profile” seminar, she learned that we should spend a certain amount of time each day focused on our personal and professional development. Each day? Wow, that sounded like a lot. I mean seriously, how many meaningful moments do you average each day, working on developing your strengths? Or your resume? Or your network?  Pffft, my answer to the question wasn’t all that great, so I decided to try out the concept.

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For one month, I’ve spent 30 minutes each day with focused attention on my personal development. Reading, writing, sharing, listening, and absorbing myself in energy focused on my growth as a professional and as a person. The results are predictably exciting and positive, but not for the reasons I’d expected.

Of course I learned a lot through tuning in to authors and speakers and mentors and idea-makers. But it wasn’t those active learning moments that made the biggest difference. It was the spaces bewteen that yielded a refreshing and unexpected rush of creativity, clarity and focus.

I believe that investing in your personal and professional growth is an iterative process best achieved through small, meaningful steps over time. Just like a great athlete or musician or speaker, it takes sustained and consistent effort to build the muscle memory needed to become fluent in any worthy pursuit. Intentional practice in directional increments is often said to be the secret to reaching a development goal. But I believe that in between those efforts of intention, the silent “pauses” are just as important. A pause can be a time of silent introspection or just a rest from the norm of day-to-day goal pursuit.

The pause is for me is about allowing thoughtful spaces between my rushed and hurried emails, calls, and meetings. It’s about protecting and valuing those spaces, rather than rushing to fill them with urgent-but-not-important matters…Allowing those spaces to be dedicated to developing my strengths and focusing on where I want to be, not just where I am.

English musician Gordon Sumner, better known as The Police’s Sting, once said,

“Paradoxically, I’m coming to believe in the importance of silence in music. The power of silence after a phrase of music for example; the dramatic silence after the first four notes of Beethoven’s Fifth Symphony, or the space between the notes of a Miles Davis solo. There is something very specific about a rest in music. You take your foot off the pedal and pay attention. I’m wondering whether, as musicians, the most important thing we do is merely to provide a frame for silence. I’m wondering if silence itself is perhaps the mystery at the heart of music? And is silence the most perfect music of all?”

What are you doing with the “spaces between” in your life?